Monday, March 03, 2008

A visit to the Everson

Over the weekend I had to go to downtown Syracuse to visit the local art museum. It was a requirement for my art history class to visit the gallery and and take notes on visiting paper engravings (on loan from Cornell University). While taking pictures of visiting displays is not allowed, I brought my camera along to photograph the building itself. The Everson opened in 1968, and was the first museum designed by world-renowned architect I.M. Pei. The museum was actually Pei's second building in Syracuse. He also designed the first of three buildings in Syracuse University's Newhouse Communications Center. For more on my visit to the Everson, check out the podcast below. I have also included pictures from inside the building.


Everson atrium on the ground floor. The second floor is accessed through the spiral staircase shown above. the building is primarily built with concrete.


View of the spiral staircase from the second floor galleries.


There was a Jackson Pollock visiting exhibit while I was there. I thought some of his work was interesting, but found most of it unappealing.


I.M. Pei's first building in Syracuse. The Newhouse I building was the first of three that house the S.I. Newhouse School of Public Communications at Syracuse University. Like the Everson, part of the building its below ground level. In this picture, you only see 3 of 5 levels. Two of them sit beneath the building and patio area. Again like the Everson, most of the building is made with concrete. Newhouse I was dedicated in 1964 by President Lyndon B. Johnson, during which he gave his famous Gulf of Tonkin speech.

Podcast: Everson Museum of Art

Saturday, March 01, 2008

Power of the press


Earlier in the week I went to the website of my newspaper at home - the Rochester Democrat and Chronicle. I read through the news, as usual, and clicked on a story that was a video from their multimedia department. I don't remember what that first story was about, but off to the side of the video screen were links to others stories. I clicked on one about homicides in 2007. I was amazed at what I saw. I saw 46 faces. Each the same size black and white picture, all lined up in a neat and orderly grid. Each representing someone from my community who was killed last year. There was more. As I moved my mouse across the page, I discovered that each picture could be opened. I randomly clicked on Adam Emling, 24. Upon reading the side bar, I remembered hearing of his killing on the news when I was home. He was killed on July 14th outside Mark's Texas Hots on Monroe Ave. in the city. He was shot accidentally as his killer aimed for someone else. All of a sudden, I hear a voice and see a picture. "He's my oldest son..." the voice says. His mother is remembering her lost child. The two of them are shown embracing. Then there is a picture of a cute toddler pressed up against a window. The audio was 2 minutes and 45 seconds long. Each second is accompanied by photographs, providing glimpses into a life that ended too soon by senseless violence. An all too familiar story in this city.

I was proud at that moment to be looking at the work of a newspaper I've grown up with. A newspaper that has remembered the people it serves, and the stories it should feel obligated to cover. In a city that had just over 50 murders in 2007, it can be easy to become desensitized. I too am guilty of glazing over the headline of another murder in the city. As it is the responsibility of the media to bring us the story, it is equally the media's responsibility to put it into context. Up until know, the local media have largely failed the latter duty. This is especially true of the broadcast outlets. They wouldn't spent more than a minute and a half at most to cover the entire story of Adam's death, let alone describing who he was as a person. And while they cannot be blamed for the short time on the air, which is the nature and necessity of broadcast journalism, they certainly can be held accountable for not utilizing their online platform to better serve the community. Luckily a newspaper with a far more progressive website rose to the challenge. It saw the need to remember last year's murder victims as people rather than just statistics. And it created the most powerful tribute of all - a tribute that nearly eliminated the role of the journalist and connected to the community directly. It exposed the memories and raw emotion through the first person. I can no longer think of Adam, or anyone else on that page, as a victim of crime. I can only think of them as people who touched the lives of those around them, and as individuals who no longer are able to contribute their unique qualities to the community.